Free Jazz Improvisation PDF Downloads

It's all concerning finding out jazz language when it comes to becoming an excellent jazz improvisation techniques improviser. So unlike the 'half-step below strategy' (which can be outside the range), when coming close to from over it appears better when you maintain your notes within the range that you remain in. That's why it's called the 'chord range over' approach - it stays in the range.

So rather than playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into 3 'eighth note triplet' notes - where each note of the triplet coincides length. The first improvisation strategy is 'chord tone soloing', which means to compose tunes making use of the 4 chord tones of the chord (1 3 5 7).

I generally play all-natural 9ths above many chords - consisting of all 3 chords of the major ii-V-I. This 'chordal structure' sounds finest if you play your right-hand man loudly, and left hand (chord) a little bit more quiet - to ensure that the audience listens to the melody note on the top.

It's great for these enclosures ahead out of scale, as long as they wind up dealing with to the 'target note' - which will normally be just one of the chord tones. The 'chord range above' approach - come before any type of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play 3 evenly spaced notes in the area of 2.

Currently you could play this 5 note range (the incorrect notes) over the same C minor 7 chord in your left hand. With this method you just play the same notes that you're already playing in the chord. Chord scale above - half-step below - target note (e.g. E - C# - D).

A lot of jazz piano solos include a section where the melody quits, and the pianist plays a collection of chord voicings, to an interesting rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal structures', 'playing out' and extra.