Jazz Piano Improvisation

When it involves ending up being an excellent jazz improviser, it's everything about finding out jazz language. So unlike the 'half-step listed below strategy' (which can be outside the scale), Bookmarks when coming close to from above it sounds much better when you keep your notes within the range that you remain in. That's why it's called the 'chord scale over' approach - it remains in the scale.

If you're playing in C dorian scale, the wrong notes (absent notes) will certainly be C# E F# G # B (or the notes of E major pentatonic range). Half-step below - chord scale over - target note (e.g. C# - E - D). In this article I'll show you 6 improvisation strategies for jazz piano (or any type of instrument).

For this to work, it needs to be the next note up within the range that the songs remains in. This offers you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be applied to any kind of note size (fifty percent note, quarter note, 8th note) - however when soloing, it's generally applied to eighth notes.

It's great for these enclosures to find out of range, as long as they wind up resolving to the 'target note' - which will usually be among the chord tones. The 'chord scale over' approach - precede any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 evenly spaced notes in the room of two.

Jazz artists will play from a variety of pre-written ariose shapes, which are positioned prior to a 'target note' (usually a chord tone, 1 3 5 7). Initially let's establish the 'right notes' - normally I 'd play from the dorian range over minor 7 chord.

NOTE: You also get a great series of steps to play, from 7 - 1 - 9 - 3 - if you intend to play a short scale in your solo. However, to stop your having fun from seeming foreseeable (and burst out of eighth note pattern), you need to differ the rhythms from time to time.